by Daniel Gustafsson
Two
things, it seems to me, threaten the irreducible reality and dignity of the
personal life today: reductionism and relativism.
In the struggle against these twin tendencies of a
depersonalised age, philosophy should resign its role as the henchman of
science – let’s be done
With doubt, with
your school-yard squabbles and hair-
splitting, your
wisdom’s distrust of delight...
–
and
accept instead its vocation as the shield-maiden of poetry. Personalist
thought, certainly, must be responsive to both ‘extra-utile’ and
‘extra-rational’ sources of value and revelation.
Hence my fond invocation of Alyosha Karamazov, saintly foil
of the sceptical Ivan. Alyosha’s loving response to his brother’s venomously
disenchanted worldview – his relational and symbolic refutation Ivan’s
rational-empiricist argument – should be the riposte of the poet and
personalist alike to the negations of materialism.
He tells you,
don’t look, don’t love, only think!
It’s enough to
make the world shrink…
For the world does shrink, and we with it, if scientism and
solipsism prevail against our mutual and ek-static mode of being. Poetry,
meanwhile, is entirely premised upon the personal. The relational and
irreducible is not only the subject matter of poetry, but its very medium and
material – manifesting the ineffable in the corporeal, the invisible in the
apparent:
Grant us beauty to
cleanse our vision…
For beauty is a radiant proof of that in human experience
which overspills or oversteps the merely causal and mechanical. It is one of
the surest signs of our moral and spiritual dignity and potential. Beauty
should therefore be no less a source and aim of the personalist, than of the
poetic, endeavour:
That true design
may vanquish false powers…
For it is the poetic mode of apprehension, and the poetic
mode of re-presentation, that safeguards a world abundant in its offerings of
splendour and significance:
The ground is
littered with anemones,
And the finches
are in flitting and flight…
Hence these poems seek to give place to wonder and
reverence, the origin of real philosophy: not a practice of academic
speculation, but a life lived in response to wisdom’s incarnate and ineffable
disclosure.
It is an unshakable tenet of personalist thought that we are
dialogic beings. We exist face to face and, as it were, mouth to mouth; for
language is an essential aspect of our inter-personal reality:
Our lives are
unfolded in language,
And we languish
without conversation…
Language, for beings like us, is not only the functional
projection of thought. Reflective, diachronic and metaphoric, the fabric of
language itself offers new possibilities of meaning and of personal expansion.
In poetry, this dialogic
mode may be realised in its most distilled form. Dialogue can change us,
improve us, and involves us in mutual transformation:
This is the fabric
of our passion,
This is how we
fashion ourselves…
The lack of a dialogic sense has repercussions for the way
we inhabit the natural as well as the cultural world. In a post-colonial and
post-modern climate, pathologically uneasy about inherited goods and values, it
becomes difficult to motivate care for a shared world, a shared language and a
shared place. Our own time, zealous in its pursuit of progress and levelling,
is impatient with reflection and disdainful of cultural preservation. Also our
efforts to salvage the environment may, I believe, suffer from a lack of a
relational anchoring and approach.
These poems enjoin us, therefore, to care for a world
endangered by entropy, deconstruction and desecration:
this frayed and threadbare fabric
Is not ours to
unmask or unmake;
Our task is to
love…
When gratitude is replaced by entitlement, mutual
responsibilities by individual rights, resulting in a loss of historical as
well as situated consciousness, personalism should serve to affirm those
relations that make us who we are, as persons inhabiting – as well as inheriting
– a particular time and place. We are not self-sufficient. Nor are we simply
consumers. We are heirs and stewards, and the world is ours by trust:
Now that we are of the
living,
This
long-cherished landscape belongs to us
Only in the
lasting need of giving…
We live at a time when reductionism is becoming increasingly
politicised. In the discourse of rights, the personal is entirely overshadowed
by the individual and the collective, the quantifiable monads and masses
susceptible to standardised solutions. To speak, as I believe we must, of the
spiritual aspects of personal dignity and relationality is becoming all but
impossible; indeed, religiously indebted and inflected language is becoming
increasingly unintelligible.
Hence my fervent invocation of Yuri Zhivago; for this poet
and physician, an object of mockery for the materialist-determinist powers that
be, was persecuted for his defence of the personal in conditions too like our
own:
And you’d never
enlist with your scalpel,
The quill and
chisel of your healing arts,
For their cure-all
campaign of negation:
You have witnessed
their botched operation…
We too have witnessed the wasteland of utility and
universality, of platitude and bureaucracy; the reduction of all that is most
particular, precious and perplexing in life to calculations of the lowest
common denominator; and we summon against this malaise the healing arts of
empathy and imagination; for we know
That life is all
muteness and misery
Unless blood is
married to metaphor,
Unless the
heart-walls and the measured floor
Break open to
music and mystery…
Daniel Gustafsson is a bi-lingual poet and philosopher. Working at the intersections of philosophy, theology and the arts, he seeks to affirm the irreducible nature of language, beauty, and personhood. Daniel received a PhD in Philosophy from the University of York in 2014. Debut collections of poetry in both English (Alyosha, Augur Press) and Swedish (Karve, Axplock) appeared in the summer of 2016. Daniel currently works in secondary education and divides his time between Yorkshire and his native land. In his spare time, he practises the patient arts of angling and tea-drinking.
Daniel Gustafsson is a bi-lingual poet and philosopher. Working at the intersections of philosophy, theology and the arts, he seeks to affirm the irreducible nature of language, beauty, and personhood. Daniel received a PhD in Philosophy from the University of York in 2014. Debut collections of poetry in both English (Alyosha, Augur Press) and Swedish (Karve, Axplock) appeared in the summer of 2016. Daniel currently works in secondary education and divides his time between Yorkshire and his native land. In his spare time, he practises the patient arts of angling and tea-drinking.
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