by Teresita Pumará
I
6.12.2017.
The snow falls heavily on Düsseldorf. At last, I think, looking through
the kitchen window, Christmas like it is supposed to be according to Coca-Cola
Co. and Hollywood. I grew up in Buenos Aires. Christmas there is always around
30°C warm. I drink my latte and watch the snow as it falls and builds a thick
tapestry on the floor. I change windows. The one in the living room gives me a
view of the street. Two very young people, barely coming out of teenage, step
out of a car and start dancing and throwing snow balls at each other. Although
the sky is covered by one monotonous layer of grey, the reflective moonlight of
snow fills the Earth. Later I wander through the nearby park. People of all
ages play with the snow: they build snow-balls and snow castles and fortresses
(it is Germany after all), they
simulate snow ball wars and slide down the soft slopes with improvised sledges.
The snow seems to bring out the best of people, their playful joyous self.
White, after all, is the colour of new beginnings. All our faults are washed
away and we are left as an Aristotelian tabula rasa, free of the
burden of the past year and ready to fulfil the destiny that will be written on
us. A necessary renewal for every functional society. It is Germany after all.
II
19.12.2017
The rain falls insistently on Cologne. Maybe I should write: the clouds
have come down, they surround us and now we swim instead of walking. We arrive
at the Christmas market at the Cologne Cathedral. The monstrous Dom supervises
our movements. We stroll from stand to stand like forgotten children. The
stands are shaped like wooden houses and warmly lit. They offer food and hot
drinks, puppets and Christmas decorations. A band of wind instruments plays
popular songs, I sing to the tune:
I'm on the top of the world lookin’ down on
creation,
And the only explanation I can find,
Is the love that I've found ever since
you've been around,
Your love's put me at the top of the
world.
People, mainly adults who have just come out of work, eat and drink and
smoke and talk and some even dance slightly to the rhythm of the Carpenters.
Don´t they feel the rain, or is it only raining on us, South American
wanderers? It does rain for them, but they do not mind. They meet in the market
with neighbours and friends they have not seen during the year. I feel inside a
scale model or a puppet house. Everything around me suggests a white barbed
artisan delighting himself with our comings and goings. We are the children who
play under the agreeable eye of the craftsman.
III
20.12.2017
What is Christmas about? I ask myself repeatedly. I am not religious, at
least not now. Nevertheless, in my crooked cynical way, I take part in many of its
games. I play with the snow, I feel happy with the tiniest present, I visit
Christmas markets and eat hot chestnuts, and on this day, I prepare delicious
melomakaronas with my Greek neighbour. Melomakaronas are a Greek Christmas
pastry bathed in honey syrup. My neighbour, Maria, comes on this Wednesday
afternoon, we drink wine, talk about our lives, compare our traditions, and she
prepares the Greek delicacy while I watch and learn. My house fills with the
smell of honey and baked pastry. Heaven, I believe, must smell like a bakery. I
feel joyful like an angel -not a Wim Wenders angel-, I want to take people´s
hands and dance in a row.
IV
23.12.2017
It has been dark for hours now and we wish to watch a light comedy. We
are far away from our families and are feeling a little nostalgic, but we don't
want to welcome the spirit of sadness in our home, which still smells of
melomakarona and natilla, the last a Colombian Christmas dessert. Honey and
cinnamon sound like an appropriate gift for a new-born child. Internet offers
us a Christmas comedy and we indulge it. Elf (Jon Favreau,
2003) is about a man, Buddy, who is raised by an elf at Santa's workshop in the
North Pole. Buddy believes he is an elf until, when he is thirty years old, the
truth is revealed. He then travels to New York City in search of his father.
But, as elves live longer than biblical characters and grow up slowly, Buddy
has a child's spirit. With this spirit, he introduces a little chaos in the New
York functional system. Little by little, through his innocence and sense of
wonder, he reminds people of what is actually important (love, not work) and
brings the Christmas spirit back to the city, thus enabling Santa to fly with
his sledge without using a motor. In Christmas we celebrate life, a new life.
New life is a disruptive, playful flow. It is necessary to plunge into this
flow at least once a year; to experience how easily our everyday routines may
crumble down and how easily they put themselves together again; to feel how
strong we become when we bond with others, and yet how fragile these bonds are,
like the smell of honey and cinnamon. Fragile, but powerful when it comes to
struggling against sadness and fear. I cannot but think of Patti Smith’s
verses. People have the power to dream, to rule, to wrestle the world from
fools.
No comments:
Post a Comment